Nema Aviona Za Zagreb [2012] | latest collection of Movies in every Genre

Learn and talk about Nema Aviona za Zagreb, 2. Autobiographical documentary films, Documentary films about drugs, Documentary films about visual artists. Nema Aviona za Zagreb (There Is No Plane to Zagreb) is a 2.

Dutch film by Louis van Gasteren. The film is a retrospective of events in the director's life from 1.

It is also Jan de Bont's first film credit as cinematographer since 1. Basic Instinct. In 1. Gasteren decided to film all his movements, both outward and inner. He narrates early in the film, .

De ontdekking van de wereld in de jaren '60, gezien door de ogen van de regisseur Louis van Gasteren en zijn kleine dochter. Een vitale, open wereld vol drang tot experimenten: deelnemen en waarnemen. Associative self-portrait and time document by Louis van Gasteren (1922), Nestor of the Dutch documentary. Review of the turbulent 1960s, when he decided to capture everything. About emptying an air rifle on tower bells, about his.

As a filmmaker, I can make that visible. Look Jacq, every step I take (he takes a deliberate step forward in the room) – also inwards (points to his chest) – everything I am involved in (gestures at the objects in the room).

Nema Aviona Za Zagreb, Dutch, 2012, Het is beschikbaar om op tv, online, tabletten, telefoon kijken. Als onderdeel van een klassieke film heeft wel zijn nadelen. Vooral wanneer de film is getiteld Nema Aviona Za Zagreb, Dutch. Edit this page; Talk:Nema Aviona za Zagreb (Redirected from Talk:Nema Aviona Za Zagreb). Deleting a title from your collection is like throwing away a DVD. You will no longer be able to watch this title on Flixster or any other UltraViolet service. Are you sure you want to permanently delete this title?

Countries the film is shot in include the Netherlands, Switzerland, England, Yugoslavia, France, Canada, West Germany, the United States, India, and Spain. The film mixes documentary with enacted scenes, and is shot in both color and black- and- white. The film winds up being a journey of a man in search of truth, seeking to shed lies and illusions, as well as reconcile his relationships with human beings. As the film opens, a ninety- year- old Louis van Gasteren—a documentary filmmaker and artist famed in the Netherlands—is seated in a video editing suite, watching scenes of himself in the 1. Van Gasteren is touring a carnival with his second wife, Jacqueline, their baby girl Mardou, and two older children from his first marriage. The family rides the carousel and sees the sights, including a .

His father, Louis van Gasteren, Sr., was a famous actor, and his mother, Elise Menag. We learn that his mother died by suicide a few months after his father’s death, and thoughts of his parents are with him every day. The film takes a turn of style as Van Gasteren begins to act, playing himself as a good- timer who cheats on his wife with casual encounters. In the course of his travels he runs into an Italian journalist in Belgrade. The two decide to book a flight to Zagreb on a lark, but are told by the travel agent, Nema aviona za Zagreb (. Not knowing the language, they find the expression hilarious, and repeat it wherever they go.

But later, when alone, the expression begins to haunt Louis. It becomes a personal catchphrase. Nema and life as such cannot be tied down. You are in them, yet always off the mark. Next he questions what he really sees, how many different angles and dimensions man can perceive, and whether life is simply one big illusion. To answer these questions, he experiments with LSD, which at that time was permitted for therapeutic use. Shortly afterward, it is reported that a young American has died from jumping out a window while tripping on LSD, apparently believing he could fly like a bird.

Troubled by this, Louis travels to a U. S. In the two skillfully interwoven interviews, a flower- bedecked Leary boasts that people come to his estate to find God through LSD, while the grieving parents puzzle over what went wrong with their son, who had been so healthy and virtuous.

These conversations only leave Louis with more questions. He then goes to India to question the spiritual master Meher Baba about LSD and the search for God. First asserting that his own experience of God is continuous, Meher Baba explains that the upliftment produced by drugs is only temporary and thus not a true realization of Divinity; in the end, drugs lead only to madness, delusion, and hypocrisy. After one more disillusioning scene in Millbrook, Louis closes the door on drugs. He tells us that he stopped using LSD after it became illegal, but adds that had it not been for LSD, he would surely have taken his own life, just as his mother and grandfather did.

In the turbulent 1960s Dutch cinematographer Louis van Gasteren (maker of a great number of important documentaries) recorded everything that passed before his camera: views, anecdotes, family life. He stopped in 1969 and in. Nema Aviona Za Zagreb is 2012 American Documentary Film, Directed by and Produced by under the banner of Spectrum Film and Distributed by Spectrum Film. FILMOGRAPHY WASSENAAR'S BEACON. 2014, digibeta, b/w & color, 12 min. A cypress on a road near the village of Wassenaar, hacked in the sixties. Its meaning for those who lived there. NEMA AVIONA ZA ZAGREB/There is no plane for. In de roerige jaren zestig besloot hij alles vast te leggen: denkbeelden, anekdo.

From the time of these encounters, the style and pace of the film quicken. Interspersed with shots of his enchanting baby daughter as she takes her first steps and grows into childhood, Van Gasteren turns his attention to his art, to meeting artists, intellectuals, and scientists of the ’6.

United States and Canada, and puts on several exhibits of his own photography and sculpture. He purchases an Opel automobile and has it crushed, then mounted in an Amsterdam park, elevated to an art form. Marshall Mc. Luhan introduces an exhibition of New Style painting in Toronto, broadcast on television.

Louis talks to jazz composer Mal Waldron about how his music expresses his protest against the lack of communication in our world. And to the accompaniment of live jazz and slides of his art, Louis recites his own Beat poetry in English. I make up my mind. Not knowing what my mind is.

At last Louis travels to the Spanish seaside and seems to resolve the loss of his mother by rescuing a man- sized living turtle being sold at market. Together with his children, Louis rows the gasping turtle out into the harbor and releases it back into the sea, to the joy of the whole family. The camera shifts to a caf. He steps out of the car in silence and faces the mountainous obstacle. It seems to symbolize that he had come to a halting place in the film’s story, or a terminus in that phase of his life. In 1. 96. 9 Louis stopped making the film. In his editing room at ninety years old, Louis van Gasteren at last reveals the heart- breaking event that blocked him from completing the film in the ensuing decades.

But now, he says, after more than forty years, he finally found the courage to do it. With this we see him jump from an airplane and descend to earth with a parachute. The credits roll over a shot of Louis in the 1. Yara Plasman of Filmtotaal. Filming eventually covered ten countries. Jan de Bont was the cinematographer on the principal scenes of the film, including scenes in New York, Vancouver, San Francisco, Timothy Leary in Millbrook, and Meher Baba in India. Additional cameramen during the very long shooting period included Milek Knebel, Theo Hogers, Roeland Kerbosch, Olof Smit, Bert Spijkerman, Louis van Gasteren, and Kester Dixon (for final filming in 2.

Van Gasteren worked hard to get an interview with Meher Baba for Nema Aviona za Zagreb. In 1. 96. 7 Meher Baba was near the end of his life and in strict seclusion. Through the help of numerous contacts with people he met in his travels who had met Baba in the 6. Irwin Luck, Rick Chapman, and Robert Dreyfuss, Van Gasteren was at last able to reach Baba's secretary and arrange a meeting. Van Gasteren was told that if he was there on time, he could film and interview Baba. Van Gasteren arrived in Bombay on September 1.

Meherazad at precisely 9: 0. A. M. The following day, September 2. Baba and the surrounding area, including the interview seen in the film. Filming stalled in 1. After two attempts to complete the film in the 7. Ilja Lammers who began to gather and assemble the material.

The film premiered at EYE on Van Gasteren's 9. Gasteren was present at the opening.

The film is in Dutch and English, with small amounts of French, Italian, Serbian, and Spanish. Available with Dutch or English subtitles. References. 6. 52. Seventy Fourth Family Letter, 1 September 1. Family Letters, Mani S.

Irani, Sheriar Foundation, 1. Ilja Lammers at Linkedin.

EYE Film Netherlands - Nema Aviona Za Zagreb.